FNB Art Joburg | 5-7 September 2025 | Johannesburg, South Africa
Exhibition Recap
Presented by Modzi Gallery, I exhibited a curated body of paintings on canvas and paper series, anchored by a key large-scale assemblage tapestry measuring 1.2 x 3.6 meters titled Components of Soul.
Modzi Gallery conceived the booth as a living collage—an interwoven presentation of works, ideas, and narratives. The three featured artists engaged in a visual dialogue, their practices intersecting through layered storytelling. Together, the presentation reflected a dynamic cross-section of Zambia’s contemporary art landscape, exploring identity, materiality, and evolving cultural conversations.
My contribution centred on soft structures composed through layered imagery—painting, drawing, transferred photography, text, and richly textured surfaces incorporating found objects and textiles. These works navigated intimacy, memory, and embodied experience through material experimentation.
The paper series was framed in hardwood box frames lined with luxurious olive linen. This considered presentation both protected and delicately housed the works, allowing the framing to become an extension of the artwork itself. The use of soft textile within the structure echoed the broader narrative of intimacy and protection, reinforcing the dialogue between vulnerability and care that runs throughout the body of work.
The reverse of Components of Soul revealed a collaged grid of joined bedsheet fragments and textiles, forming an almost quilt-like composition. The tapestry was suspended and subtly floated away from the wall, allowing glimpses of its reverse to emerge as an integral part of the viewing experience. This concealed yet essential surface evoked notions of personal space, vulnerability, and intimate layers—simultaneously sheltered and exposed—underscoring the ongoing tension between concealment and revelation that runs throughout my work.
Components of Soul, 2025, 122cm x 340cm, mixed media assemblage tapestry (closeup crop)
Components of Soul, 2025, 122cm x 340cm, mixed media assemblage tapestry (closeup crop)
Echoes, 2025, 40cm x 55cm, framed
Echoes, 2025, red oxide, acrylic & oil pastel on hahnemuhle, 30cm x 40cm
Fleeting, 2025, 40cm x 55cm, framed
Fleeting, 2025, red oxide, acrylic & oil pastel on hahnemuhle, 30cm x 40cm
Held, 2025, 40cm x 55cm, framed
Held, 2025, red oxide, acrylic & oil pastel on hahnemuhle, 30cm x 40cm
Oblivion, 2025, 40cm x 55cm, framed
Oblivion, 2025, red oxide, acrylic & oil pastel on hahnemuhle, 30cm x 40cm
Retrieval, 2025, 40cm x 55cm, framed
Retrieval, 2025, red oxide, acrylic & oil pastel on hahnemuhle, 30cm x 40cm
Be Like Water, 2025, Acrylic, ink & water on hahnemuhle, 24cm x 32cm
Cave, 2025, Acrylic, ink & water on hahnemuhle, 24cm x 32cm
Quicksands, 2025, Acrylic, ink & water on hahnemuhle, 24cm x 32cm
Yield, 2025, Acrylic, ink & water on hahnemuhle, 24cm x 32cm
Shadows Into Light, 2025, mixed media & textile on canvas, 71.5cm x 71.5cm
Alive, 2025, mixed media & textile on canvas, 71.5cm x 71.5cm
In the studio, preparing for show
Release, 2025, mixed media & textile on canvas, 80cm x 65cm
Fault Lines, 2025, mixed media & textile on canvas, 142cm x 125cm
Africa Basel | 18–22 June 2025 | Basel, Switzerland
Presented by Modzi Gallery, I exhibited a curated selection of paintings on canvas, sculptural forms (calabash and pedestal works), and a recent body of tapestry textile hangings at the inaugural edition of Africa Basel.
Africa Basel is an international art fair dedicated to contemporary art from Africa and its diaspora, held in the heart of Basel during Art Basel week.
The works presented included new textile pieces that explored expanded material practices and processes. Using disused bedsheets, organic forms, fragmented elements, and copper wire, these works introduced unseen approaches within my practice. Layered narratives alluded to spaces of vulnerability—particularly in relation to place, identity, and belonging—while engaging with the inherent dualities embedded within these conversations.
The artworks, through their titles and palette of earth tones and deep greens, evoked soil, flesh, land, and nature—referencing malachite stone and the materiality of the earth. They also reflected on borders and boundaries—physical, emotional, and cultural—that may be invisible yet profoundly present.